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Carrion_Crow

Stealth Head

+49667


Submissions

3
China Cat Sunflower -> I Know You Rider
Sept. 20, 1973
The Spectrum

Solid smooth jamming on China Cat for a solid, beautiful 8 mins, including the FGJ. Rider has Phil high in the vocal mix, to a very nice effect.
2
Casey Jones
Sept. 17, 1973
Onondaga County War Memorial

Builds and builds and builds, faster hotter faster and hotter. The crowd goes wild (stage antics?) Something special was in the wind.
3
Looks Like Rain
Sept. 17, 1973
Onondaga County War Memorial

Who's playing the Theremin? There's definitely something odd going on here. Was Ned Lagin sitting in?
2
Loose Lucy
Sept. 17, 1973
Onondaga County War Memorial

Slower tempo gives this one a special feel. Jerry sings it with great gusto and a deeper bluesier feel then others. The whole ride is great fun.
4
Casey Jones
Nov. 11, 1978
Saturday Night Live

The band is having fun with it on live TV, even though squeezed into under 4 minutes: http://vimeo.com/35129207. Bobby slides over the disco beat.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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