headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

9
Sugar Magnolia
Sept. 7, 1973
Nassau Coliseum

Yeah, Sugar Mag okay... but the Sunshine Daydream is tops. Just kills me each time I hear it.
10
Truckin'
Sept. 7, 1973
Nassau Coliseum

Top form from a great 2nd set then into a ballsy TOO jam (no lyrics) and then one of the best Eyes of all time.
19
Let It Grow
Sept. 7, 1973
Nassau Coliseum

First-ever performance. Mid-way they let it grow into experimental bliss. A must-have for LIG fans.
24
Playin' In The Band
Sept. 7, 1973
Nassau Coliseum

Intense jaming and crystal clear guitar work, plus Billy's hard driving makes it a barn-burner. Gets better each listen.
29
Here Comes Sunshine
Sept. 7, 1973
Nassau Coliseum

Really smooth and mellow groove 2nd set opener from a solid show after a month in the studio. Hard to see why not here yet.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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