headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

5
Row Jimmy
Sept. 7, 1973
Nassau Coliseum

Drags at first, but Jer's soloing builds beautifully on his new Wolf. Historical if only for that but also a passionate, sweet version.
3
Goin' Down The Road Feelin' Bad
Aug. 1, 1973
Roosevelt Stadium

Jer's b-day. Sweet jamming version with great vocals, in spite/because of what sounds like a cold/sore throat. Brilliant show all around.
3
Casey Jones
Aug. 1, 1973
Roosevelt Stadium

Closes 1st set with a smooth but up-and-jumping version.
2
Goin' Down The Road Feelin' Bad
July 31, 1973
Roosevelt Stadium

Jumping version capping off a blazingly great show. With a nice mellow outro, too. The crowd and the boys just seem so full of joy and love.
5
Loose Lucy
July 31, 1973
Roosevelt Stadium

The boys experimented with Lucy till they dropped her and this here's a gritty gutbucket blues version. Essential '73 for you Lucy chasers out there.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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