headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

11
Candyman
Feb. 18, 1971
Capitol Theater

Beautiful harmonies and country soul. Brilliant and historically important show.
10
Playin' In The Band
Feb. 18, 1971
Capitol Theater

First performance ever and it's slower, but beautiful and raw. Bobby sings like a country warbler typical of the '71s. Historically interesting.
15
Greatest Story Ever Told
Feb. 18, 1971
Capitol Theater

Primordial version, first time played, introduced as "Mickey wants to call this one 'The Pump Man' for reasons of his own." Raw and unlike any other.
19
Loser
Feb. 18, 1971
Capitol Theater

First Loser ever and the last Mickey show before his break. Brilliant version, hot energetic vocals and that good '71 sound.
15
Hurts Me Too
Feb. 18, 1971
Capitol Theater

Dripping with deep-soul. Pigpen's voice at its best. Sounds like honey.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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