headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

17
Samson and Delilah
May 7, 1977
Boston Garden

Never thought I'd dig this song so much. They're just so on this whole night (week actually).
12
Next Time You See Me
April 17, 1972
Tivolis Koncertsal

Simply amazing. Check out the video: http://www.youtube.com/watch?v=YyAOwP8dLqc
22
He's Gone
April 17, 1972
Tivolis Koncertsal

I love this version. It's got oomph and doesn't put you to sleep. http://www.youtube.com/watch?v=YyAOwP8dLqc for video.
12
Jack Straw
April 17, 1972
Tivolis Koncertsal

Great bumping version. Check out the video! http://www.youtube.com/watch?v=YyAOwP8dLqc for rare Europe '72 footage.
22
Fire On The Mountain
July 27, 1973
Grand Prix Racecourse

Embryonic "Fire" in the "soundcheck jam" into Wharf Rat. Not a full FTM, but of amazing Deadfulness and not listed elsewhere. Check it out!
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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