headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

20
China Cat Sunflower -> I Know You Rider
July 1, 1973
Universal Amphitheatre

Rock-solid China with Jerry twisting and pulling its melodic basis throughout a great solo + great Feeling Groovy trans. into Rider.
16
Me and My Uncle
July 1, 1973
Universal Amphitheatre

By far the most snarlingly bad-assed version of 1973. Jer's lines it up and shoots it down, soloing intesely throughout the whole song.
24
Playin' In The Band
July 1, 1973
Universal Amphitheatre

25 minutes of nirvana. Absolutely everything a Playin' fan could look for - with that strange summer '73 blissed-out "intense mellow".
13
Dark Star
June 30, 1973
Universal Amphitheatre

Mellow jam leading to a slow simmert, then boils and finally melts down brilliantly into a pristine Eyes. Why isn't this here yet?
3
El Paso
June 30, 1973
Universal Amphitheatre

Cowboy Bob and the Mexican Maiden at high speed rip-roaring tempos. Great bursting energy.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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