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Carrion_Crow

Stealth Head

+49682


Submissions

9
Playin' In The Band
Feb. 17, 1973
St. Paul Auditorium

Mindblowing jams reminiscent of the massive '72s. Check out Jer and Phil interplay around 10:00.
5
Loose Lucy
Feb. 17, 1973
St. Paul Auditorium

Third time performed and still a bit loose in the joints, but tighter and funkier than Dane County 2 days earlier.
28
Playin' In The Band
Feb. 15, 1973
Dane County Coliseum

Mellow in places, shredding in others, goes in and out of off-the-rails trippyness but doesn't meltdown. Why isn't this one already here?
7
El Paso
Feb. 15, 1973
Dane County Coliseum

Brilliant, lightning-speed Jerry soloing behind Bobby. Worth many a listen in a great great show.
9
Scarlet Begonias
Sept. 30, 1976
Mershon Auditorium, OSU

Fun and enthusiastic, if not just a little loose in the joints. Good energy and a great show all around.

Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.