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Carrion_Crow

Stealth Head

+49682


Submissions

18
Blues For Allah
June 17, 1975
Winterland Arena

Long, stretched out great jamming. Serious "Stronger than Dirt" in the middle of it all. Beautiful.
5
Playin' In The Band
Feb. 8, 1986
Henry J. Kaiser Convention Center

Surrounds a great China Doll, very psychedelic in places, marimba madness and tripped out phasing. Greatness from a not-so-great year.
7
China Doll
Feb. 8, 1986
Henry J. Kaiser Convention Center

Not usually an 80's fan, but this one is spooky, mysterious and trippy. Inside a Playin' sandwich that's pretty ripping for the late date, too.
33
Cumberland Blues
June 23, 1974
Jai-Alai Fronton

Lot's of fast fun, and just slightly out of control. Seems they're hanging on for dear life. Enjoy!
24
Jack Straw
June 23, 1974
Jai-Alai Fronton

Just so good. Smooth, great vocals. Jerry's crystal clear and ripping throughout.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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