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Carrion_Crow

Stealth Head

+49687


Submissions

9
New Potato Caboose
Dec. 7, 1968
Bellarmine College

Long crystal clear Jerry solos throughout and a great recording for '68. Gets tighter throughout the jam.
9
The Other One
Dec. 7, 1968
Bellarmine College

Fast, reckless, and smokin' hot. A must have for fans of '68 and all its psychedelic glory. Goes into a nice best New Potato Caboose too.
9
Dark Star
Dec. 7, 1968
Bellarmine College

Succinct and powerful. A nice '68 set starting (!) with Dark Star and Stephen. Mellow.
74
Playin' In The Band
June 22, 1973
Pacific Coliseum

Great extended spacey jam. Check out around 05:10 - 05:40 for what sounds impossibly like a FTM tease. PHIL !
8
Dancin' in the Streets
Dec. 31, 1971
Winterland Arena

Jerry's on fire in this show opener. Not my favorite song, but just a rippin' version here. Wish I could have been there....

Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.