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Carrion_Crow

Stealth Head

+49722


Submissions

2
Casey Jones
Dec. 10, 1972
Winterland Arena

Rollicking and hard-charging good time set closer after a brain-melting Playin'.
2
Black Throated Wind
Nov. 26, 1972
San Antonio Civic Auditorium

In spite of muffled sound in need of a cleanup, this one has all the swagger and triumph of the best of '72. BTW fans take heed!
5
China Cat Sunflower -> I Know You Rider
Nov. 24, 1972
Dallas Memorial Auditorium

Surprised not to see this here. The trans has extra oomph to it and the band sails along in perfect sync. Great fun.
4
Brown Eyed Women
Nov. 24, 1972
Dallas Memorial Auditorium

Pristine and fun. There's a cogent, almost album-tight quality to it.
4
Loser
Nov. 22, 1972
Austin Municipal Auditorium

The mix is off at first, vocals lost, but hang in there and you'll hear one of Jerry's most heavy metal solos on Loser ever. Absolute shredder.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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