headyversion

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Carrion_Crow

Stealth Head

+49712


Submissions

3
Mississippi Halfstep Uptown Toodeloo
Oct. 30, 1972
Ford Auditorium

A solid, sweet rocker. Seems like MHUT had matured in '72 by this point to the stand-alone anchor that it remained until the end.
2
Candyman
Oct. 30, 1972
Ford Auditorium

The total package, with everything this song was meant to have: Sadness, menace, self-consciousness, braggadocio, regret. A beautiful performance.
3
Truckin'
Oct. 30, 1972
Ford Auditorium

Hot steam. Starting around 5:30 Jerry blisters the world with fire.
3
Box of Rain
Oct. 30, 1972
Ford Auditorium

Levels all a bit off, AUD a bit murky, but damned if this isn't the most glorious ensemble yowp this song can be. Joyous and loving: It's all there.
5
China Cat Sunflower -> I Know You Rider
Oct. 30, 1972
Ford Auditorium

Brilliant, crisp ideas and tight ensemble playing on a warm Bear AUD. Just exactly perfect.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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