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Carrion_Crow

Stealth Head

+49712


Submissions

3
Greatest Story Ever Told
Oct. 27, 1972
Veterans' Memorial Hall

Electrifying set opener (I think) that shows off that St. St. connection brilliantly.
1
Me and Bobby McGee
Oct. 27, 1972
Veterans' Memorial Hall

Jerry's backup vocals give this one sweet emotion. Chronically under-appreciated song.
4
China Cat Sunflower -> I Know You Rider
Oct. 26, 1972
Music Hall

Tight, nice CC. Seems like 1st moment of the set the band is firing on all cylinders. Trans. stretches to great IKYR.
4
Bird Song
Oct. 26, 1972
Music Hall

Compelling version with Jerry exploring new ideas. It doesn't quite soar like other Fall '72s, but still stretches out and worth a close listen.
4
Truckin'
Oct. 24, 1972
Performing Arts Center

Pity the SQ is so flat, as this one cooks up nice and hot, with some extra melodicism in the outro jam before D>TOO. This show needs a SBD infusion.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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