headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

6
Tennessee Jed
Sept. 15, 1972
Boston Music Hall

Crisp soloing and clear, limpid lines from the inexhaustible well of musical ideas here. Jed has never been my top song, but Jer just sparkles here.
10
He's Gone
Sept. 9, 1972
Hollywood Palladium

Smooth and cool. C.Miller's cleanup brings out a lush mix that just sounds sooooo good. Great segue into Truckin', too.
11
Sugaree
Sept. 9, 1972
Hollywood Palladium

Smooth as butter, this one. Note for note beauty.
7
Bird Song
Sept. 3, 1972
Folsom Field, University of Colorado

Don't let the murky and C+ sound stop you from this gem. Would someone with C. Miller's phone number ask him about this show, please?
4
Sugaree
Sept. 3, 1972
Folsom Field, University of Colorado

Continues one of the great stretches of peak Dead right after Veneta. Great jam, B- sound quality though.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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