headyversion

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Carrion_Crow

Stealth Head

+49712


Submissions

6
Stella Blue
Aug. 22, 1972
Berkeley Community Theatre

How in this magic week did this powerhouse version with perfect vocals not yet get voted up? Give a spin, you aren't going to regret it.
4
Friend of the Devil
Aug. 22, 1972
Berkeley Community Theatre

Perfection. They could do no wrong this week, and this FOTD is no exception. Perfection.
4
Loser
Aug. 22, 1972
Berkeley Community Theatre

Tight ensemble playing with perfect sound. This is one of the great shows of the year.
7
Feelin' Groovy Jam
May 19, 1974
Portland Memorial Coliseum

Already listed as the CC>IKYR, but this jam stands on its own. One of the tightest from start to finish.
4
Uncle John's Band
Aug. 21, 1972
Berkeley Community Theater

Brilliant outro and high-energy version, a bit more up-tempo than others from the time. All-round sweet show, overshadowed by other giants of Aug. '72
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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