headyversion

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Carrion_Crow

Stealth Head

+49712


Submissions

6
Beat it on Down The Line
Aug. 21, 1972
Berkeley Community Theater

Has one of Jer's longest continuous strings of up-tempo 16th note solo lines (in the changes) I can recall. Wicked fast and right as rain.
3
He's Gone
Aug. 20, 1972
San Jose Civic Auditorium

This version, and the one on the 12th, are just butter. I admit to sometimes not even noticing He's Gone, but this is a high spot for it.
2
Me and Bobby McGee
Aug. 20, 1972
San Jose Civic Auditorium

One of those amazing versions of this underrated song where everyone is blazing along in collective improv to genius effect. Just beautiful.
3
Sugaree
Aug. 20, 1972
San Jose Civic Auditorium

Damn fine swagger on this one, in spite of a murky tape. Show cleans up after a few songs - thanks to C. Miller.
2
Truckin'
Aug. 12, 1972
Sacramento Memorial Auditorium

High voltage 18-wheel Truckin'. Mix and sound on this show keep it in the shadow of others this month, but the music is all there.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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