headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

4
Mister Charlie
March 21, 1972
Academy of Music

Part of a great first set, the band is on fire, and Pigpen in great form. Tight rocker.
4
Loser
March 21, 1972
Academy of Music

Cracklin' and snappy version. The band is über tight and having fun.
3
Greatest Story Ever Told
March 21, 1972
Academy of Music

Bobby blows a gasket on this one. Raw and powerful, showing exactly where they were headed before Europe. High energy rocker.
4
Playin' In The Band
March 21, 1972
Academy of Music

I'd argue this was the first Playin' as we came to know it after the end of the "Main Ten" and "country warbler" versions from '71.
2
Casey Jones
March 5, 1972
Winterland Arena

After a pretty sloppy 1st set, they charge up and nail this one. Phil goes bananas on the out chorus.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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