headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

3
Dancin' in the Streets
Dec. 17, 1970
The Matrix

Questionable date, but unquestionably amazing. A great classic jam with a near-perfect recording for the time. A++
2
Morning Dew
Nov. 29, 1970
Club Agora

Rough AUD, but showcases a brilliant and intense buildup enhanced by what sounds like a Hammond B3. Deserves a cleanup, as much of 11.70 does.
2
Goin' Down The Road Feelin' Bad
Nov. 20, 1970
The Palestra, U. of Rochester

Beautiful jam here, with some great Jerry fuzztone soloing.
1
China Cat Sunflower -> I Know You Rider
Nov. 20, 1970
The Palestra, U. of Rochester

Nice warm AUD for the era, with a sparkling CCS and great transition into IKYR.
1
The Other One
Nov. 23, 1970
Anderson Theatre

Whether it's the 16th or the 23rd, it's a real humdinger. Perfect transition out of Truckin'.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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