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Carrion_Crow

Stealth Head

+49722


Submissions

4
Alligator
July 10, 1970
Fillmore East

One of the lasts, and they're undoubtedly still jamming the shit out of it. Listen to them come out of drums and the head sez "pray it's not NFA" !!!
4
Easy Wind
July 10, 1970
Fillmore East

Pressure cooker here, just bursting with energy. Pig sounds great, Jerry goes full throttle. AUD quality B only, but worth every second.
2
China Cat Sunflower -> I Know You Rider
June 13, 1970
Red Vest

Souped up high voltage versions here. The CC has that rippin' '69 energy and the vocals throughout nail it.
6
Playin' In The Band
June 7, 1970
Fillmore West

The Main Ten. Primordial Playin' groove. This is the deep Dead here. Powerful.
4
Not Fade Away
June 6, 1970
Fillmore West

Continuing on 48 minutes of the immortal "kitchen sink" jam, this one holds its own to any other of the era.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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