headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

8
High Time
March 7, 1970
Civic Auditorium

Understated and subtle. This is a mysterious beauty. Not for the AUDphobic, it has some sound/tape issues.
3
King Bee
March 1, 1970
Fillmore East

Don't overlook it b/c of a few tape quality issues. This is fundamental '70 Dead and Pig was in fine form.
6
Cumberland Blues
March 1, 1970
Fillmore East

Relentlessly pulsing at a full shitkickin' clip. A few tape speed issues, but whatta time. Excellent.
7
The Other One
March 1, 1970
Fillmore East

High heat, though the levels are set really low and it sounds muffled. Sounds like Pig was playing a Hammond B3 that gives it the extra horsepower.
2
Turn On Your Love Light
Feb. 27, 1970
Family Dog at the Great Highway

The rap gets good and weird, and there's some funny doo-wop backup vocals around minute 17.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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