headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

10
King Bee
Jan. 24, 1970
Honolulu Civic Auditorium

Overlooked. Fine fine Pigpen here. Warm voice, swagger and just enough whisky-soak on the sound.
8
Cold Rain and Snow
Jan. 24, 1970
Honolulu Civic Auditorium

Firing on all cylinders. Hot ensemble singing. Great sound.
10
Cumberland Blues
Jan. 24, 1970
Honolulu Civic Auditorium

Beautiful, tight show opener. Incomplete recording of this show on the archive. TC's last show, too.
8
Hard to Handle
Jan. 23, 1970
Honolulu Civic Auditorium

Classic "single" version, meaning shorter and more compact than the '71 hyperspace megas.
4
Dire Wolf
Jan. 17, 1970
Oregon State University

Cuts in, but otherwise sublime. This and the night before's are almost studio-quality perfect.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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