headyversion

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Carrion_Crow

Stealth Head

+49712


Submissions

1
Not Fade Away
July 25, 1972
Paramount Theater

For a show that sometimes lacks a little energy in places, they end it with quite a bang. This outro is exceptionally good.
1
Truckin'
July 22, 1972
Paramount Northwest Theatre

Slow star builds up huge head of steam and a slamin' jam. Ends funny, unsure whether >He's Gone or something else. Nice version, overlooked show.
1
Mississippi Halfstep Uptown Toodeloo
July 22, 1972
Paramount Northwest Theatre

Not too polished yet, but full of that new-song exhuberence. Great key work from Keith, and a funforall Reeeee-o Grand outro.
7
Playin' In The Band
July 22, 1972
Paramount Northwest Theatre

A thing of (overlooked) beauty. Tight, muscular and coherent. It never drags. A perfect '72 Playin' here.
14
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

You've never heard it like this: Rehearsal tape, listed as "Distorto". Track 2. An absolute treasure. Hard-freaking-core. No words, just rock.

Comments

The Other One
March 26, 1972
Academy of Music

Really lifts off and sends you out there. Beautiful exploratory jams before the first chorus and leading into MAMU.
Truckin'
March 26, 1972
Academy of Music

cgarces is right about this one. This is as solid rockin' a heady version as any. Sounds to me like it has Pig on organ and Keith on keys, which is a rare treat indeed.
Playin' In The Band
March 26, 1972
Academy of Music

This and the one from the previous night are key transitional Playin's that show the crack in the door to the spacetime bender that it becomes throughout '72. They're both worth more than one spin, and though I think the 25th is a bit more coherent, this one has the openness and freedom that we come to associate with Playin' ever after and is probably my favorite of the two.
Looks Like Rain
March 26, 1972
Academy of Music

This is how this song should have always been played: With Jer on luscious pedal steel and Phil on beautifully harmonic backup vocals.
Loser
March 26, 1972
Academy of Music

Gritty and soulful version. Check out Charlie Miller's cleanup for a great sound, with everyone clear and crisp in the mix.