headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49722


Submissions

4
Ain't It Crazy (The Rub)
July 12, 1970
Fillmore East

A mellow acoustic version unlike any I the others more known for being uptempo and somewhat aggressive. A rare treat.
2
Not Fade Away
July 11, 1970
Fillmore East

Vast and expansive, with hints of Mountain Jam peppered throughout and a brilliant tug-of-war over whether to go into TOO. Needs a cleanup.
2
Cold Jordan
July 11, 1970
Fillmore East

Sounds like Dave and Marmaduke came out mid-song to warm up for the NRPS set. Don't like acoustic AUD, don't bother. Like it? Oh baby, it's good.
1
Rosalie McFall
July 11, 1970
Fillmore East

First ever, and with 45 years between us and then, it's like a sweet whisper in AUD beauty. Real stuff here.
4
New Speedway Boogie
July 11, 1970
Fillmore East

Superb, a distant reach-out from the AUDmurk of time. A special treat here.

Comments

The Other One
March 26, 1972
Academy of Music

Really lifts off and sends you out there. Beautiful exploratory jams before the first chorus and leading into MAMU.
Truckin'
March 26, 1972
Academy of Music

cgarces is right about this one. This is as solid rockin' a heady version as any. Sounds to me like it has Pig on organ and Keith on keys, which is a rare treat indeed.
Playin' In The Band
March 26, 1972
Academy of Music

This and the one from the previous night are key transitional Playin's that show the crack in the door to the spacetime bender that it becomes throughout '72. They're both worth more than one spin, and though I think the 25th is a bit more coherent, this one has the openness and freedom that we come to associate with Playin' ever after and is probably my favorite of the two.
Looks Like Rain
March 26, 1972
Academy of Music

This is how this song should have always been played: With Jer on luscious pedal steel and Phil on beautifully harmonic backup vocals.
Loser
March 26, 1972
Academy of Music

Gritty and soulful version. Check out Charlie Miller's cleanup for a great sound, with everyone clear and crisp in the mix.