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Carrion_Crow

Stealth Head

+47940


Submissions

7
Candyman
Aug. 2, 1976
Colt Park

What a treat. Why is this show undervalued? C'mon folks, don't let a good AUD scare you. This is a beaut, with the crowd part of the party.
3
They Love Each Other
Aug. 2, 1976
Colt Park

Highlight from the first set. Keith sets it on fire. Jerry is in top form.
3
Tennessee Jed
Aug. 2, 1976
Colt Park

The '76 ones ted to plod along a bit too much for my taste, but Jerry tears this one right up with a good shitkickin' solo and great tone.
2
Mama Tried
Aug. 2, 1976
Colt Park

Continues the run of perfect Mamas from the Summer tour. This one is short and sweet, perfect vocals.
2
Samson and Delilah
July 18, 1976
Orpheum Theater

Full of strut. The band is in perfect form, everyone is on. Precise, strong, and full of swagger.
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Comments

Uncle John's Band
March 19, 1977
Winterland Arena

Lot's of love here for the intro... but damn did you guys make it to the outro? The intro starts like silky gossamer and ends like a seven-cylinder jackhammer. It has that nice virtuoso '77 clean feeling while keeping the grit-in-the-gears and hard rocking energy.
Sugar Magnolia
March 19, 1977
Winterland Arena

Maybe it suffers a bit in comparison to the outrageous excellence of both the first and second set jams? The transition from Franklin's is a bit wobbly - and it takes getting to the first solo for it to really pick up steam, with the Devils driving it back on track for the win.
Eyes Of The World
March 19, 1977
Winterland Arena

Up-tempo, but not rushed. Keith is brilliant throughout, complimenting Jerry's endless wingspan.
Samson and Delilah
March 19, 1977
Winterland Arena

Soul-sizzling church here. The first half of PiTB noodles and swirls, but by the time Samson comes along they are all swagger and strength. This one is a colossus on its own, but part of an outrageous 1st set sammy it's become one of my top Samsons of all time.
Terrapin Station
March 19, 1977
Winterland Arena

Still brand-spankin' new, but they really found their stride here to kick off this outrageous extended jam to close out the first set. This strikes me as the first one to really convey the anthemic triumph outro.
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