headyversion

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Carrion_Crow

Stealth Head

+49767


Submissions

2
Not Fade Away
Oct. 30, 1971
Taft Auditorium

Great interplay and hot jam in every combination in the birth month of the great quintet. Forgotten show.
4
Ramble On Rose
Oct. 30, 1971
Taft Auditorium

Not my favorite song, but this one rocks. Plus Jerry eviscerates a heckler after.
2
Tennessee Jed
Oct. 30, 1971
Taft Auditorium

Goddamned hard crunching rocker here. Jerry's guitar is so sharp it sounds like breaking glass (in a good way).
1
Playin' In The Band
Oct. 30, 1971
Taft Auditorium

They really push down on the 10/4 melodic form here, giving it a "The Main Ten" feel lost soon after. KG's 1st month is full of transition Playin's.
7
The Other One
Oct. 29, 1971
Allen Theatre

Masterpiece. The Jam out of drums into the first verse is inventive and exploratory, very subtle interplay. Totally overlooked. Dig it.
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Comments

Chinatown Shuffle
March 23, 1972
Academy of Music

With a little WRS - Prelude noodling during the tuning afterwards. Cool to hear it so early on, even if it's just for a second.
Black Throated Wind
March 23, 1972
Academy of Music

Bobby sounds great. His voice is on point and even his high-intensity emotional finish fits in perfectly with the tight energy of the band.
Playin' In The Band
March 22, 1972
Academy of Music

Another historically interesting heavyweight from this pivotal transition moment for Playin', which is arguably my all-around favorite GD vehicle. This one, unlike the night before, still has a few The Main Ten moments, but also the spacey Playin' jam that we'd know from later in the year. My sense is that they worked hard on expanding Playin' during the winter break, as these first ones from the year (22 March, 21 March and 02 January) sound almost nothing like the versions from December '71. Just goddamned wonderful. Put this one on the mixtape that plays on a loop over my tombstone folks....
Big Railroad Blues
March 22, 1972
Academy of Music

Great harp work from Pigpen.
Wharf Rat
March 21, 1972
Academy of Music

Both this WR and the long TOO before it are flirting with Dark Star. This is a deep version: Jerry gives it so much emotion, and the whole band is locked in to a soundscape that gives it that extra x-factor.
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