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Carrion_Crow

Stealth Head

+49777


Submissions

1
Bertha
Feb. 20, 1971
Capitol Theater

Still brand new. This just pops and crackles with energy. Great fun.
1
Hurts Me Too
Jan. 24, 1971
Seattle Center Arena

Deep Pig. Deep deep Pig.
1
Cold Rain and Snow
Jan. 22, 1971
Lane Community College

Not for audiophobes, cause it's like 10th-gen Maxell 120s, but every bit the '71 CR&S sound I love. Beneath the fuzz is a beauty.
9
Wharf Rat
Oct. 20, 1974
Winterland Arena

Tectonic jamming shifting out of WR back into Playin' of intricate interplay and staggering beauty.
10
Space
Oct. 19, 1974
Winterland Arena

Ripped out of future spacetime and unlike any other from the era. Sounds like they invented MIDI right on stage. Minds forever blown, I'm sure.

Comments

Chinatown Shuffle
March 23, 1972
Academy of Music

With a little WRS - Prelude noodling during the tuning afterwards. Cool to hear it so early on, even if it's just for a second.
Black Throated Wind
March 23, 1972
Academy of Music

Bobby sounds great. His voice is on point and even his high-intensity emotional finish fits in perfectly with the tight energy of the band.
Playin' In The Band
March 22, 1972
Academy of Music

Another historically interesting heavyweight from this pivotal transition moment for Playin', which is arguably my all-around favorite GD vehicle. This one, unlike the night before, still has a few The Main Ten moments, but also the spacey Playin' jam that we'd know from later in the year. My sense is that they worked hard on expanding Playin' during the winter break, as these first ones from the year (22 March, 21 March and 02 January) sound almost nothing like the versions from December '71. Just goddamned wonderful. Put this one on the mixtape that plays on a loop over my tombstone folks....
Big Railroad Blues
March 22, 1972
Academy of Music

Great harp work from Pigpen.
Wharf Rat
March 21, 1972
Academy of Music

Both this WR and the long TOO before it are flirting with Dark Star. This is a deep version: Jerry gives it so much emotion, and the whole band is locked in to a soundscape that gives it that extra x-factor.