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Carrion_Crow

Stealth Head

+49667


Submissions

5
Playin' In The Band
Sept. 26, 1973
War Memorial

Eclectic melodicism and mood shifts make this beauty at times sound like outer space, at times like a bossa sunrise on the beach. A '73 gem.
5
Brown Eyed Women
Sept. 26, 1973
War Memorial

Sweet and tight. Soulful vocals and - if I'm not wrong - Phil singing harmony (???). A great show from the fall '73 tour.
12
Playin' In The Band
Sept. 26, 1972
Stanley Theatre

Sweet version with long Jer and Bobby double solo. Hits all the '73 highs: tight, long jam, with lots of Jerry's fast-mellow and space bugs.
4
Let It Grow
Sept. 24, 1973
Civic Arena

Bobby's neck vein-poppin vocals and Phil's full-throttle power make this a great one. Sept.'73 horns are low in the mix for a cool live/studio effect.
7
Mississippi Halfstep Uptown Toodeloo
Sept. 24, 1973
Civic Arena

Steady rockin' version with beautiful outro.

Comments

Chinatown Shuffle
March 23, 1972
Academy of Music

With a little WRS - Prelude noodling during the tuning afterwards. Cool to hear it so early on, even if it's just for a second.
Black Throated Wind
March 23, 1972
Academy of Music

Bobby sounds great. His voice is on point and even his high-intensity emotional finish fits in perfectly with the tight energy of the band.
Playin' In The Band
March 22, 1972
Academy of Music

Another historically interesting heavyweight from this pivotal transition moment for Playin', which is arguably my all-around favorite GD vehicle. This one, unlike the night before, still has a few The Main Ten moments, but also the spacey Playin' jam that we'd know from later in the year. My sense is that they worked hard on expanding Playin' during the winter break, as these first ones from the year (22 March, 21 March and 02 January) sound almost nothing like the versions from December '71. Just goddamned wonderful. Put this one on the mixtape that plays on a loop over my tombstone folks....
Big Railroad Blues
March 22, 1972
Academy of Music

Great harp work from Pigpen.
Wharf Rat
March 21, 1972
Academy of Music

Both this WR and the long TOO before it are flirting with Dark Star. This is a deep version: Jerry gives it so much emotion, and the whole band is locked in to a soundscape that gives it that extra x-factor.