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Carrion_Crow

Stealth Head

+49712


Submissions

4
Don't Ease Me In
Oct. 19, 1972
Fox Theatre

Sweet rocker here.
6
Promised Land
Oct. 18, 1972
Fox Theater

High energy, and remarkable that they could pull it off after an hour of continuous jamming. Great show all round.
8
Brown Eyed Women
Oct. 18, 1972
Fox Theater

In spite of equipment stalls the set really takes off here. Great Miller mix showcases Bobby in the left channel. Beautiful version.
17
Goin' Down The Road Feelin' Bad
Oct. 17, 1972
Fox Theatre

Keith is high in the mix and it's just brilliant. The NFA was a bit sloppy, but they nail the GDTRFB and the outro.
11
Don't Ease Me In
Oct. 17, 1972
Fox Theatre

Fast and loose, with great Keith barrelhouse fills. Jerry doesn't want to quit. Good fun.

Comments

Chinatown Shuffle
March 23, 1972
Academy of Music

With a little WRS - Prelude noodling during the tuning afterwards. Cool to hear it so early on, even if it's just for a second.
Black Throated Wind
March 23, 1972
Academy of Music

Bobby sounds great. His voice is on point and even his high-intensity emotional finish fits in perfectly with the tight energy of the band.
Playin' In The Band
March 22, 1972
Academy of Music

Another historically interesting heavyweight from this pivotal transition moment for Playin', which is arguably my all-around favorite GD vehicle. This one, unlike the night before, still has a few The Main Ten moments, but also the spacey Playin' jam that we'd know from later in the year. My sense is that they worked hard on expanding Playin' during the winter break, as these first ones from the year (22 March, 21 March and 02 January) sound almost nothing like the versions from December '71. Just goddamned wonderful. Put this one on the mixtape that plays on a loop over my tombstone folks....
Big Railroad Blues
March 22, 1972
Academy of Music

Great harp work from Pigpen.
Wharf Rat
March 21, 1972
Academy of Music

Both this WR and the long TOO before it are flirting with Dark Star. This is a deep version: Jerry gives it so much emotion, and the whole band is locked in to a soundscape that gives it that extra x-factor.