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Carrion_Crow

Stealth Head

+49777


Submissions

1
Jack Straw
Dec. 2, 1971
Boston Music Hall

Up tempo and forceful jamming. A strong version.
14
You Win Again
Nov. 17, 1971
Albuquerque Civic Auditorium

Such a sweet rare treat.
11
Cumberland Blues
Nov. 17, 1971
Albuquerque Civic Auditorium

Faster than any other I know, and rip-roaringly good. Sound quality is B though (FM to mic to cassette).
1
Jack Straw
Dec. 17, 1971
Albuquerque Civic Auditorium

Despite sound quality questions, this is a barn burner. Jerry on 'roids with muscular jamming over an inspired Billy K. Murky but hot.
3
Ramble On Rose
Nov. 12, 1971
San Antonio Civic Auditorium

Solid and strong. Keith's sound is way high in the mix, but to nice effect. Unfortunately jerry is barely audible. Could use a fix.

Comments

Smokestack Lightnin'
Dec. 27, 1986
Henry J. Kaiser Convention Center

Bobby's outrageous 'devil's gonna getcha' vocals make this one straight outta the wackzone. I was at this show, and by this point in the evening pretty well freaked-the-fuck out. The Kaiser was a great and intimate theatre with good sound. It felt-sounded like the voices were coming from inside your head, and I remember a few of us lying down and trying to hold on through it. A bit creepy, sure, but all good in the end when you get to one of the most beautiful Comes a Times ever right after, like the angel of light parting the clouds after the angel of darkness just blew you into a thousand pieces.
Good Lovin'
Oct. 30, 1970
SUNY Stonybrook

The show starts a bit sleepy, but the drummers kick this one off in high gear. Very short intro, followed by almost ten minutes of drum solos. Then somehow Cumberland shows up before going back to the song. A bit chaotic and wacky? Sure, but it clips along nicely, although it does seem like they forgot all about Good Lovin' until Phil reminded them.... Whattawhirled.
Good Lovin'
Oct. 24, 1970
Kiel Opera House

Double post, sorry.
Good Lovin'
Oct. 24, 1970
Kiel Opera House

AUD-phobes: Swallow the pill and chase this little beastie down the rabbit hole. This is energetic, muscular, tight jamming with a great transitional flavor. 1970 isn't only country dead, but also a great time for exploring extensive jamming outside of the hard psychedelia of the years prior. Here's a great example of electric, bluesy, hard rock. GDTRFB hears Phil lead the Stephen tease, but I hear him riffing on something that sounds likeFoxy Lady, which Jerry responds to with the SS riff. In any case, it's balls-to-the-wall good time Dead. Enjoy!
Dancin' in the Streets
Oct. 24, 1970
Kiel Opera House

Brilliant Bobby-Phil interaction, starting with Bobby on a little double-time riff around minute 6:00, followed by Phil picking it up and laying it down 30 seconds later.