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Carrion_Crow

Stealth Head

+49652


Submissions

6
Black Peter
Dec. 19, 1969
Fillmore Auditorium

One of the first, and its strong and tight and powerful. Is there a bad show from Dec. '69?
2
Turn On Your Love Light
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Goes way off the rails with Bobby, Pig, audience members and Phil all acting quite mad. Reminds me of some of the Acid Test recordings. A rarity.
4
The Eleven
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Expanding over 14 minutes, this one covers different themes and vibes with great streches for soloing. Low-fi AUD.
4
Dark Star
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Some AUD probs but a glowing, surging perfect slice of '69 Dead. Begins acoustically. A rare treat from under the radar.
2
Mountains of the Moon
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Buried in bad AUD murk and hiss, this was the last one ever performed. It's longer, slower and beautiful. A gem for completist collectors only.
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Comments

Dark Star
June 7, 1969
Fillmore West

This is a real killer. About seven minutes in, right after the first chorus, Jerry flips a switch and warms us up with a repeating rhythmic figure for about a minute that then blisters your brain like a flying Warthog. This is a muscular, aggressive, heavy jam. Acid rock - not peace and love.
Mountains of the Moon
July 10, 1969
Playboy After Dark

This was the show's release date. The Jan. 18th date above was the recording, apparently.
Mountains of the Moon
June 7, 1969
Fillmore West

Slightly more muscular and driven than others, without the -> into Dark Star. It's the second-to-last time performed, too, as the date of the Playboy version is its release date rather than its recording. Why did they drop it? Such a beautiful sweet song, and interesting to me that they pulled it out for the '15 tour after all that time.
Eyes Of The World
Dec. 6, 1973
Public Hall

Slipknot teases sneak their way in perfectly just after nine minutes in this colossus of a jam.
Dark Star
Dec. 6, 1973
Public Hall

cgarces is right again. The jam at 35 minutes is a focused Phil-driven Miles-inspired and Seastoned-predicting enormity. This is advanced Grateful Dead. Do not try to convince your new girlfriend to listen to this band with this one unless she's a already an avant guard conceptual artist or jazz drummer....
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