headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49692


Submissions

5
Row Jimmy
June 9, 1973
RFK Stadium

Inspired and powerful. Tight performance.
12
Eyes Of The World
May 20, 1973
U.C.

Exactly what I look for in an Eyes. As good as they come.
3
Sugar Magnolia
May 20, 1973
U.C.

Ecstatic, exhuberent, exciting. Great end to a great set.
12
The Other One
May 20, 1973
U.C.

Starts like a rocket, lands on Mars bigtime, then light-speed re-entry to a killer Eyes in under 10 minutes after a balls-out Truckin. Great set.
22
Playin' In The Band
May 20, 1973
U.C.

Massive Phil and Jerry co-soloing in a supersonic mindmeld for 19 minutes. Very special with a raw, almost brutish energy.
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Comments

Dark Star
June 7, 1969
Fillmore West

This is a real killer. About seven minutes in, right after the first chorus, Jerry flips a switch and warms us up with a repeating rhythmic figure for about a minute that then blisters your brain like a flying Warthog. This is a muscular, aggressive, heavy jam. Acid rock - not peace and love.
Mountains of the Moon
July 10, 1969
Playboy After Dark

This was the show's release date. The Jan. 18th date above was the recording, apparently.
Mountains of the Moon
June 7, 1969
Fillmore West

Slightly more muscular and driven than others, without the -> into Dark Star. It's the second-to-last time performed, too, as the date of the Playboy version is its release date rather than its recording. Why did they drop it? Such a beautiful sweet song, and interesting to me that they pulled it out for the '15 tour after all that time.
Eyes Of The World
Dec. 6, 1973
Public Hall

Slipknot teases sneak their way in perfectly just after nine minutes in this colossus of a jam.
Dark Star
Dec. 6, 1973
Public Hall

cgarces is right again. The jam at 35 minutes is a focused Phil-driven Miles-inspired and Seastoned-predicting enormity. This is advanced Grateful Dead. Do not try to convince your new girlfriend to listen to this band with this one unless she's a already an avant guard conceptual artist or jazz drummer....
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