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Carrion_Crow

Stealth Head

+49742


Submissions

2
Pretty Peggy O
Jan. 18, 1978
Stockton Civic Auditorium

Jer sings thrôugh a cold, but the beauty and sweetness shines through. Sounds like he would 10 years later, but with the '78 sound. Full of love.
3
Tennessee Jed
Sept. 19, 1972
Roosevelt Stadium

If you can get past the migraine-inducing AUD, this is one rowdy shitkicker that riles up the fun-loving crowd.
1
One More Saturday Night
Sept. 17, 1972
Baltimore Civic Center

Smokin' hot encore to finish off one brilliant mother of a show. OMSN isn't many folk's fave tune, but this one just rocks hard.
9
Uncle John's Band
Sept. 17, 1972
Baltimore Civic Center

This show has biting hardness throughout, then this seems a bit la-la until the 7/4 parts, and that grit returns with crunching nastiness. Excellent!
11
Me and My Uncle
Sept. 17, 1972
Baltimore Civic Center

Total badassery. This one bites down hard and has a little menace to it, as befits a song about murder.

Comments

Dark Star
June 7, 1969
Fillmore West

This is a real killer. About seven minutes in, right after the first chorus, Jerry flips a switch and warms us up with a repeating rhythmic figure for about a minute that then blisters your brain like a flying Warthog. This is a muscular, aggressive, heavy jam. Acid rock - not peace and love.
Mountains of the Moon
July 10, 1969
Playboy After Dark

This was the show's release date. The Jan. 18th date above was the recording, apparently.
Mountains of the Moon
June 7, 1969
Fillmore West

Slightly more muscular and driven than others, without the -> into Dark Star. It's the second-to-last time performed, too, as the date of the Playboy version is its release date rather than its recording. Why did they drop it? Such a beautiful sweet song, and interesting to me that they pulled it out for the '15 tour after all that time.
Eyes Of The World
Dec. 6, 1973
Public Hall

Slipknot teases sneak their way in perfectly just after nine minutes in this colossus of a jam.
Dark Star
Dec. 6, 1973
Public Hall

cgarces is right again. The jam at 35 minutes is a focused Phil-driven Miles-inspired and Seastoned-predicting enormity. This is advanced Grateful Dead. Do not try to convince your new girlfriend to listen to this band with this one unless she's a already an avant guard conceptual artist or jazz drummer....