headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

16
St. Stephen
Nov. 2, 1969
Family Dog at the Great Highway

One of the definitive DS>SS>11 suites and it power rocks on its own. Young'uns: don't forget good '69...fear not and dive in!
5
Wharf Rat
April 14, 1971
Davis Gym, Bucknell University

Stretches further out than earlier ones, like the Birdsong before they seemed to find WR's deeper groove and go furthur with it. Result? Beeyootiful.
5
Sing Me Back Home
April 14, 1971
Davis Gym, Bucknell University

Saddle up heads, this is one of the nicest ones I know. Pre-Donna Jean, but the boys cover it with driving intensity and its nicely mixed for the era.
2
Bertha
April 14, 1971
Davis Gym, Bucknell University

Nailed it. Part of the great April run that coalesces the '71 sound. Killing 1st set with manageable mix and saturation issues.
4
Goin' Down The Road Feelin' Bad
April 12, 1971
Civic Arena

One of the tightest and best jams I've ever heard. Absolute magic. Goes straight into a killer Lovelight. This is an amazing show. Check it out.

Comments

Promised Land
June 9, 1976
Boston Music Hall

Keith's razzle dazzle is in full form. Short version, but tight and fun to close out a helluva first set.
Looks Like Rain
June 9, 1976
Boston Music Hall

Magic. This show is wall-to-wall highlights, but this... this is just top shelf. Bobby and Donna nail the harmonies throughout, Phil gives the master class and Jerry is simultaneously peaking after peaking as the soloist while somehow tucked away under the singers, supporting it all.
Let It Grow
Sept. 10, 1974
Alexandra Palace

Not my favorite WRS of the year, but one of my favorite LIGs. They just crush the jam coming out of the lyrics, as the man said.
Loser
Sept. 10, 1974
Alexandra Palace

Very hot version from a chronically underrated show.
Estimated Prophet
April 26, 1977
Capitol Theater

This song was still in its infancy and to my ears this is the first one that really tuned into to the freaky frequencies that turn the best ones into the high-potency medicine that can either keep you grounded or freak you out: The off-kilter, odd meter, voices-in-the-head "na-na-na-na-nas", the protagonist's screaming madness, and the triumph of Jerry's solo on the edge of sacred illumination. Here's the video link: https://www.youtube.com/watch?v=qIXnAXfjzD4.