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Carrion_Crow

Stealth Head

+49742


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
10
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

The Music Never Stopped
Nov. 6, 1977
Broome County Arena

Jerry plays like a man possessed.
Viola Lee Blues
July 11, 1970
Fillmore East

Needs a cleanup, but certainly beyond fathom. Serious brain melter, with experimental sections before the wild crescendo/accelerando leading to the last verse. Only one other version after this, as I guess they were leaving the psychedelic repertoire behind for other bigtime jam vehicles. Hot stuff, and the audience having their collective minds blown apart adds to the high energy. This whole show rocks, but definitely needs a cleanup!
Swing Low Sweet Chariot
July 11, 1970
Fillmore East

A precious gem, in a beautiful set full of rare beauties.
I Hear A Voice Calling
July 11, 1970
Fillmore East

Wow. That's amazing.
Sugar Magnolia
July 1, 1970
Winnipeg Fairgrounds

Not quite a Sugar Mag, and not quite a "Pick a Bail of Cotton" on which, it should now be totally evident, the former is based. Who knew? Fun and historically important. Worth a once-over, at least.