Low key and smooth - a real treat. Show is known for its great DS>SS>11, but give this a listen. Nice.

Despite the lo-fi tape, this has got to be some of the deepest blues they ever played. Don't let the murky recording turn you off - it's worth it.

Cruising along with 3rd° swagger when it suddently hits high gear and <BOOM!>, you become the Pig, and it feels good.

Openers this good let you know exactly how amazing the show will be. 17.04 isn't just the best Good Lovin' of all time but an all round killer show.

Simply the best one I know. Energetic uptempo rockin' and rollin' with a hard driving bass player named PHIL!

Ok, so there's a bit of controversy as to whether this show ever happened. Nevertheless, don't let the rough AUD beginnings fool you, at around the 03:15 mark this one clears up into a SBD patch and the jam is one of clear, well-grooved professional '70 sound. Pig's voice is beautiful, and whether or not they were really in Hawaii for a two-show vacation seems beside the point. Here it is. Enjoy. Of course I'm referring here to track 2 on the Archive's only version of this date. The "Easy Wind" track 12 from the same date (questionable) sounds like some filler from another date, plus the mix is very off, with patches of only Phil audible, and almost no vocals in it. Track 14 on the same date is yet a third "Easy Wind", which is also of fairly wrecked tape quality.

The outro, definitely, kicks hard, with just the right amount of prog epic on it. Here, have an upvote.

Very strong intro, with the mellow post-hiatus sound magically merged with that perfect '77 musicianship. Great transition into NFA too.

Hey Dantian! Welcome aboard friend. If you dig Dancin' from '76, (and I know you do...) then check out how they start tweaking it big style in September and October of the same year. There's some wild transitional free-form stuff from the Fall '76 tour, and they're some of my top-shelf Dead from of all time. Cheers!

Will cause brain blisters if used improperly. Chases that eerie mystery at the heart of this song that can make it so transfixing, and sometimes even slightly menacing. Jerry sounds like he could just go on forever here.