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Carrion_Crow

Stealth Head

+49652


Submissions

7
Let It Grow
July 13, 1976
Orpheum Theatre

Gives you blisters on your fingers just listening to it. Great second bit coming after drums. Solid if not somewhat overlooked show.
8
Death Don't Have No Mercy
Aug. 23, 1968
Shrine Auditorium

A bit shorter and tighter than some, but brilliant, and part of an immortal set of primal blasting power.
33
Dark Star
Nov. 8, 1970
Capitol Theater

Takes off on you for a deep and weird ride, then goes into a brilliant "The Main Ten" which just kills me its so good.
18
El Paso
Nov. 8, 1970
Capitol Theater

The boys were in a mellow mood tonight, and this one is the sweet and tearful-cowboy ballad it was written to be.
7
I Know You Rider
Nov. 8, 1970
Capitol Theater

Moody, pensive, and beautifully acoustic. Like no other. Unbelievably beautiful.

Comments

Attics of My Life
June 6, 1970
Fillmore West

Sacrilege, possibly, but this song rarely lived up to its potential. Have you tried to sing three-part harmony at this pace? It's fucking hard, and the beautiful realization on the LP was rarely achieved live. That's probably why they dropped it so soon, too. That said, this is the one that nails it. This might be one of the best ever. Very sweet.
Good Lovin'
June 6, 1970
Fillmore West

Notable for the outrageous fantasy swampjam New Orleans Bobby feature in the middle, instead of the later-in-the-evening Pigpen rap. Nevertheless, it's a tight and right showing of who and what was the immortal '70 sound. Good stuff.
New Orleans
June 6, 1970
Fillmore West

Rarity doesn't even begin to describe it. This is the hogwild swamprock you never knew but always suspected. Imagine your neighborhood garageband with 10,000 loyal followers in a superdosed lovefest on a sweet summers's day's daze. A real treat.
Dancin' in the Streets
June 6, 1970
Fillmore West

The first songs in the show seemed a bit sluggish, but they really take off here. This song was so goddamned good in this era, and this one is a real corker.
Morning Dew
June 6, 1970
Fillmore West

Show opener, apparently. It starts off kinda sleepy like, then gets heavy, but right when it reaches critical mass, it seems like Jerry moves on to the final words. Still wonderful, of course, but I wouldn't put it up there as one of the best from the era.