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Carrion_Crow
Stealth Head
+49652
Submissions
15
Greatest Story Ever Told
Feb. 23, 1974
Winterland Arena
Electrifying and high-power jams, with some of the weirdest sounds Donna ever made. Great fun and a wild ride.
10
Beat it on Down The Line
March 18, 1967
Winterland Arena
Surf Punk! Never thought I'd hear California surfer thrash so clearly in the Dead, but here it is: Bobby as primordial punk rocker? Why not?
7
Morning Dew
March 18, 1967
Winterland Arena
Are you kidding me? This is just blazingly good. Jerry's on fire, vocals and axe. Too good for words.
5
Row Jimmy
Feb. 22, 1974
Winterland Arena
Solid and sweet, with some beautiful slide solos and nice vocals, Donna included.
8
Black Throated Wind
Feb. 22, 1974
Winterland Arena
A powerful triumph, just exploding with intense jamming and emotion. Real dynamite here.
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Comments
Attics of My Life
June 6, 1970
Fillmore West
Sacrilege, possibly, but this song rarely lived up to its potential. Have you tried to sing three-part harmony at this pace? It's fucking hard, and the beautiful realization on the LP was rarely achieved live. That's probably why they dropped it so soon, too. That said, this is the one that nails it. This might be one of the best ever. Very sweet.
Good Lovin'
June 6, 1970
Fillmore West
Notable for the outrageous fantasy swampjam New Orleans Bobby feature in the middle, instead of the later-in-the-evening Pigpen rap. Nevertheless, it's a tight and right showing of who and what was the immortal '70 sound. Good stuff.
New Orleans
June 6, 1970
Fillmore West
Rarity doesn't even begin to describe it. This is the hogwild swamprock you never knew but always suspected. Imagine your neighborhood garageband with 10,000 loyal followers in a superdosed lovefest on a sweet summers's day's daze. A real treat.
Dancin' in the Streets
June 6, 1970
Fillmore West
The first songs in the show seemed a bit sluggish, but they really take off here. This song was so goddamned good in this era, and this one is a real corker.
Morning Dew
June 6, 1970
Fillmore West
Show opener, apparently. It starts off kinda sleepy like, then gets heavy, but right when it reaches critical mass, it seems like Jerry moves on to the final words. Still wonderful, of course, but I wouldn't put it up there as one of the best from the era.
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new submissions
Pretty Peggy O, The Summit, Dec. 21, 1978
Sugaree, Autzen Stadium, June 18, 1994
When I Paint My Masterpiece, Crisler Arena, April 6, 1989
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