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Carrion_Crow
Stealth Head
+49777
Submissions
8
High Time
March 7, 1970
Civic Auditorium
Understated and subtle. This is a mysterious beauty. Not for the AUDphobic, it has some sound/tape issues.
3
King Bee
March 1, 1970
Fillmore East
Don't overlook it b/c of a few tape quality issues. This is fundamental '70 Dead and Pig was in fine form.
6
Cumberland Blues
March 1, 1970
Fillmore East
Relentlessly pulsing at a full shitkickin' clip. A few tape speed issues, but whatta time. Excellent.
7
The Other One
March 1, 1970
Fillmore East
High heat, though the levels are set really low and it sounds muffled. Sounds like Pig was playing a Hammond B3 that gives it the extra horsepower.
2
Turn On Your Love Light
Feb. 27, 1970
Family Dog at the Great Highway
The rap gets good and weird, and there's some funny doo-wop backup vocals around minute 17.
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Comments
Attics of My Life
June 6, 1970
Fillmore West
Sacrilege, possibly, but this song rarely lived up to its potential. Have you tried to sing three-part harmony at this pace? It's fucking hard, and the beautiful realization on the LP was rarely achieved live. That's probably why they dropped it so soon, too. That said, this is the one that nails it. This might be one of the best ever. Very sweet.
Good Lovin'
June 6, 1970
Fillmore West
Notable for the outrageous fantasy swampjam New Orleans Bobby feature in the middle, instead of the later-in-the-evening Pigpen rap. Nevertheless, it's a tight and right showing of who and what was the immortal '70 sound. Good stuff.
New Orleans
June 6, 1970
Fillmore West
Rarity doesn't even begin to describe it. This is the hogwild swamprock you never knew but always suspected. Imagine your neighborhood garageband with 10,000 loyal followers in a superdosed lovefest on a sweet summers's day's daze. A real treat.
Dancin' in the Streets
June 6, 1970
Fillmore West
The first songs in the show seemed a bit sluggish, but they really take off here. This song was so goddamned good in this era, and this one is a real corker.
Morning Dew
June 6, 1970
Fillmore West
Show opener, apparently. It starts off kinda sleepy like, then gets heavy, but right when it reaches critical mass, it seems like Jerry moves on to the final words. Still wonderful, of course, but I wouldn't put it up there as one of the best from the era.
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