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Carrion_Crow

Stealth Head

+49667


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments

Good Lovin'
May 8, 1970
Farrell Hall (SUNY)

Possibly the worst AUD on the Archive, but worth every second and superlative in every other way. No Pig rap, but Jerry just owns it from beginning to end. Idea after idea flows out from the band at an outrageous tempo. Not for the AUDphobic at all. Tape quality is C-/D+ almost pure noise. But the May '70 college tour just after Kent State is as keyed-in a moment as you can find. This isn't just a completist show, but an important document worth your time.
Dark Star
May 8, 1970
Farrell Hall (SUNY)

Possibly the worst AUD on the Archive... and I love every precious second of it, and thank the intrepid Head who thought to smuggle his or her dictaphone into the show to preserve this gorgeous masterpiece. ADVANCED AUD tolerance required. This lovely goes out far and fast and never looks back. Listened to in the context of a sublime college-gym tour around it, and hear this DS as one of the best of the year. Get past the AUD parts and you won't regret it,
Dark Star
March 24, 1973
The Spectrum

Dark Star "inside out". The jam leads into, rather than away from the great theme. 20+ minutes of beauty reaching outward and inwards until it comes back to those mysterious and transitive notes.... Is this the only one like this? Did they ever jam it inside out like this before or after?
Playin' In The Band
March 24, 1973
The Spectrum

Damn, hvd, you're a poet. That sums it up nicely. I'll also say on relistening that this is exactly what I needed/felt when I said "I haven't been listening to any '73 lately" and went a-looking to scratch my itch. This is a perfect example of how the peaking sounded in this era.
Cumberland Blues
March 24, 1973
The Spectrum

To call this energetic would be a colossal understatement. How about outrageously freaking off the chain? How about licketysplit white lighting? Have fun and try to hang on!
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