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Carrion_Crow
Stealth Head
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Submissions
18
Black Throated Wind
Aug. 25, 1972
Berkeley Community Theatre
Flawless. It just leaves me breathless how good this show is.
31
Friend of the Devil
Aug. 25, 1972
Berkeley Community Theatre
Sparkles. Has an electric country sound that just crackles with energy. Perfect execution.
28
Black Peter
Aug. 25, 1972
Berkeley Community Theatre
An ultimate performance. Jerry's voice is in perfect shape. Powerful, chilling version that will make your hair stand on end. Shamefully overlooked.
16
Loser
Aug. 25, 1972
Berkeley Community Theatre
Powerful tight playing. C.Miller cleanup, boys playing the 1st set like their lives depended on it. Peak Dead.
19
He's Gone
Aug. 25, 1972
Berkeley Community Theatre
Note for note precise, beautiful playing. The outro is lovely and doesn't descend into madness. Donna gives it a nice gospel touch.
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Comments
Turn On Your Love Light
May 7, 1970
DuPont Gym - MIT
Pig's line "and after all that" coming out of a fast paced chase through the jam-a-thon is pretty funny too. This is a big barn-burning number, and could really stand a good cleanup so that the audiophobes can listen to it without fear. Really, heads, this is under-rated, and should be much higher.
Easy Wind
May 7, 1970
DuPont Gym - MIT
Clearly one of the most inspired and radically jammed versions with fantastic power. Does anyone else hear in Jerry's solo musical references to traded solos on "The End" off of Abbey Road? In any case, it's blasting and oh-so-good.
New Speedway Boogie
May 7, 1970
DuPont Gym - MIT
Or a bone in its nose. There's some deep darkness to it, and it grooves beautifully.
I Know You Rider
May 7, 1970
DuPont Gym - MIT
Performed as a ballad. A beautiful different interpretation. Lovely warm guitar sound in spite of the B-quality AUD that's suffered a touch of damage.
Dancin' in the Streets
June 14, 1976
Beacon Theatre
Should definitely go higher on the list. The '76s are all just so good, but this one has special tightness to it - and a great Betty Board.
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