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Carrion_Crow

Stealth Head

+49667


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.

Comments

King Solomon's Marbles
March 23, 1975
Kezar Stadium

On terminology: I take "King Solomon's Marbles" to mean the whole sweet suite, listed as "Stronger than Dirt" and/or "Miliking the Turkey" in places. Enjoy.
King Solomon's Marbles
March 23, 1975
Kezar Stadium

Glynparson is absolutely right about this one. This is it. This is where late 20th century music collides in a fantastic rush of mastery, soul, spontaneity, and total badassery. Miles Davis' spectral influence is there, as is whatever bazillion other influences were flying around in the deep weird of 1975. So glad this is back up on the Archive. Enjoy it while you can, friends. This is - and I rarely use the word - epic.
Deep Elem Blues
April 12, 1970
Fillmore West

Compare with Sept. 30th 1971 for a rare funky electric version.
Good Morning Little Schoolgirl
April 12, 1970
Fillmore West

Doesn't bother me at all. Rock and roll is in some way about being a teenager all the time anyway. The song is an act, the singer an actor. Isn't Pig's authenticity also a suspension of disbelief? Was he really a biker outlaw cowboy, or just a beautiful, enormously talented, deeply soulful and unfortunately tragic human musician. We like to think of this music as just happening, spontaneously, emanating directly out of and through these guys. But seriously, they were/are artists. Pigpen was fully conscious of the roles and personas he was playing. Singing "you're only 15 years of age" in a song that also says (repeatedly) "I'm a little schoolboy too" is no different for me than Bobby singing over 600 times "and I left his dead ass there by the side of the road" in MAMU. Do we cringe at the idea that Bobby might be a murderer? Of course not, and for that matter "Mexicali Blues" is much sleazier! In any case, this a truly hot version, and '70 Dead is some the dankest, bestest, kindest nug out there. Enjoy. Sorry for the rant!
The Other One
April 9, 1970
Fillmore West

More than wonderful: Furthur out weird goddamned trippin' balls outre pudding. Jump in. One of those messages from the past that only an AUD, warts and all, can convey. Sometimes distortion, wobble, tweaks, saturation, and late gen fade only add to the trip. Play this over my tombstone, guys, I wanna be in it for a while.