headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+47940


Submissions

2
Samson and Delilah
Oct. 15, 1976
Shrine Auditorium

Lickety split drummer precision here and a stylin' strut in the heart of a great 2nd set.
2
Mama Tried
Oct. 15, 1976
Shrine Auditorium

Solid shitkicker. "As usual, dedicated to our equipment crew". Lol, Bobby.
3
Might As Well
Oct. 15, 1976
Shrine Auditorium

Great party starter. This song always signals good time ahead.
1
Looks Like Rain
Oct. 14, 1976
Shrine Auditorium

Sweet slow buildup to an explosion of emotion and Jer's flying guitar work. A strong version.
2
Pretty Peggy O
Oct. 14, 1976
Shrine Auditorium

Powerful version. Is the only reason it's not yet here because only AUDs exist? Jeez Heads, get it together!
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Comments

Turn On Your Love Light
March 17, 1968
Carousel Ballroom

The Download series has a warm but muted sound quality that makes this both hot and cool at the same time. This version doesn't have the wild Pig life-coaching that came later, but does have that brilliant '68 ensemble jamming that blows your hair back and steals your face, leaving nothing but perma-grin.
Turn On Your Love Light
March 17, 1968
Carousel Ballroom

The Download series has a warm but muted sound quality that makes this both hot and cool at the same time. This version doesn't have the wild Pig life-coaching that came later, but does have that brilliant '68 ensemble jamming that blows your hair back and steals your face, leaving nothing but perma-grin.
Mama Tried
Feb. 26, 1977
Swing Auditorium

Everyone loves the Swing, but don't skip the Mama!
Estimated Prophet
Feb. 26, 1977
Swing Auditorium

What a brain-sizzler. Jerry's 20-second solo around 3:30 just ignites the air into a pillar of fire. His tone is of ferocious arch-angelic madness, just like the song sez, eh? What an intro for this quirky off-kilter song for a crowd also treated to 1st-time Terrapin.
New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
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