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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Cumberland Blues
Dec. 15, 1971
Hill Auditorium

Joyful chaos: A brilliant splatter. Bobby's voice never sounded so good to me as it did in '71.
5
Mister Charlie
Dec. 15, 1971
Hill Auditorium

Pigpen at his best with the band at its grit-in-the-gears crunchiest. They were on this night and this one is just full of butt.
6
Wharf Rat
Dec. 12, 1973
Omni Coliseum

Very passionate version, some distortion or tape speed issues (?) remind me of my cassette trading days and bring out the trippiness to the song.
11
China Cat Sunflower -> I Know You Rider
Dec. 12, 1973
Omni Coliseum

If this hard grooving China jam and Feeling Groovy transition doesn't just get you moving, then nothing can. Just perfect.
10
Pretty Peggy O
Dec. 12, 1973
Omni Coliseum

First version ever is real nice... but listen to the soundcheck version for insight into the bands working dynamics. Cool to hear them working on it.
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Comments

Jack A Roe
May 5, 1982
Oregon State Prison

Hey modernhead 1995, you got a link for Jerry playing Oregon State Prison or some way to check this out, because fuckin' a, brother, but I'd listen to that.... Sure this is a GD site and all, but acoustic Jerry in a lockup sounds like some sounds I'd like to hear. Post a link and help a brother out.... Peace from the Carrion Crow.
Attics of My Life
Sept. 20, 1970
Fillmore East

This show is so full of gems and ultimates (arguably the finest FoTD ever recorded), that this beauty can easily get overlooked. Sweet sweet harmonies in the electric set. Ahhhhhhhh, 1970, what a bonus year....
China Cat Sunflower -> I Know You Rider
Sept. 20, 1970
Fillmore East

The China Cat is perfectly executed. Pristine, releasable quality jam here.
Friend of the Devil
Sept. 20, 1970
Fillmore East

May just be the best version ever performed.
Rosalie McFall
Sept. 20, 1970
Fillmore East

My oh my, but that's some sweet and good old GD right there. There really is something extra special about the 1970 sound, the deeply intimate mellow places they could evoke so sweetly with an acoustic set, then mixed up with the as dark-and-heavy as can be ferocity of the electric. Go from Ripple or Rosalie here straight into the Caution/Feedback mind-melter: There was definitely some strong mojo driving the band back then.....
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