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Carrion_Crow

Stealth Head

+49667


Submissions

5
Wharf Rat
Feb. 20, 1971
Capitol Theater

3rd ever and it's a beauty. Show uneven at first, then comes together with Cryptical>TOO>Wharf for some righteous Dead, looking for their '71 sound.
26
Cumberland Blues
Aug. 6, 1971
Hollywood Palladium

Along with every other bit of this concert, raging good time energy and virtuouso groupmind, aided of course by one of the most ultimate AUDs ever.
38
Good Lovin'
April 8, 1972
Wembley Empire Pool

Stop everything you're doing and listen to this now. No really, do it. Now.
55
Playin' In The Band
April 8, 1972
Wembley Empire Pool

Something happens to Playing' in Europe. Check 'em out, one by one and watch it grow. This one is the bomb. Outrageous shredding.
11
Big River
Feb. 22, 1974
Winterland Arena

Listen to this, then listen again for Jerry's solo: Come back and tell me Big River is a "throw away" song, cause he damn-well tears it up here.

Comments

Big Railroad Blues
April 1, 1984
Marin County Veterans Auditorium

Damned right! They take this one through a few extra choruses. You can tell they really felt like playing from the first note of the show. Killer first set.
Friend of the Devil
April 1, 1984
Marin County Veterans Auditorium

Nice version for the home crew. The whole show sparkles with fun energy, even on the slower numbers like this one. One of those shows where every note fits in just right. Great Brent magic on the Celeste-sounding keys.
Dancin' in the Streets
Oct. 14, 1976
Shrine Auditorium

No doubt about it, this is special. The new Dancin' wasn't firmly locked in place yet, and they were tweaking it every which way all summer and fall tours, leaving lots of room to explore this tune in new ways. This one is a high point of Dead spontaneity and exploration on form and collective improvisation They just slay it in ten-thousand ways.
Scarlet Begonias
Oct. 14, 1976
Shrine Auditorium

This is a sleeper, meaning it slips past unnoticed until hitting you hard and solid. If Jerry's extra oomph and the miraculous ensemble aren't enough, then the downright sexy Donna parts (it's '76 and she sounds great) that supplement but never detract should seal the deal.
The Music Never Stopped
Oct. 14, 1976
Shrine Auditorium

Antidote for any remaining, poor, and uninformed heads out there who overlook '76 as a long, slow warmup for '77. This beautiful gem has solid, unique jams throughout, just like the brother says here.