headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+47945


Submissions

9
Lazy Lightnin' -> Supplication
June 10, 1976
Boston Music Hall

I suppose everyone knows the one the night before, but this one is tighter & more overwhelming in that all-encompassing 7/4 mindmelt way.
9
The Music Never Stopped
June 10, 1976
Boston Music Hall

Airtight version with perfect orchestration. Especially sweet vocals with Donna Jean at her best. Never quite lifts off in the jam though.
3
Dancin' in the Streets
June 4, 1976
Paramount Theatre

How has this whole show been overlooked? I know '76 is generally undervalued, even by '70s fans, but c'mon, this is smokin' hot stuff.
2
Stella Blue
June 4, 1976
Paramount Theatre

Gorgeous vocals and a beautiful ensemble feel. This show is seriously underappreciated.
2
Let It Grow
June 4, 1976
Paramount Theatre

Fires off like a rocket. Souped up and accelerated. Is this the first LiG without the WRS to introduce it? It's a speed demon top notch version.
show more submissions

Comments

Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
Viola Lee Blues
Dec. 1, 1966
Studio demo

Definitely shows the progress they were making towards the Anthem era of deep deep psychedelic group-mind.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)