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Carrion_Crow

Stealth Head

+47940


Submissions

2
El Paso
Sept. 30, 1976
Mershon Auditorium, OSU

Phil rips this one wide open with a brilliant countersolo to Jerry's brilliancies and whirlygigs. Strong version here.
3
Johnny B. Goode
Sept. 28, 1976
Onondaga County War Memorial

I think they encored JBG whenever they knew they'd absolutely nailed it. It's like comedians telling "The Aristocrats". Musicians can just tell....
9
Dancin' in the Streets
Sept. 28, 1976
Onondaga County War Memorial

How on earth is this not up yet? It really kicks off the Fall '76 retooling of Dancin' with style. Brilliant, tight, and part of an enormous 2nd set.
6
New Minglewood Blues
Sept. 28, 1976
Onondaga County War Memorial

This one and the 07.18.76 versions are both so goddamned good. Jerry is a tsunami behind snarlin' Bobby. So gritty, so good.
2
Samson and Delilah
Sept. 27, 1976
Community War Memorial Auditorium

Stunning. Chronically underrated song in a chronically underrated year: Listen to Jerry blaze through this like a man with 100 fingers.
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Comments

Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
Viola Lee Blues
Dec. 1, 1966
Studio demo

Definitely shows the progress they were making towards the Anthem era of deep deep psychedelic group-mind.
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