Beautiful comedown after an epic Eyes. Forgotten show or not, this is one of the best 2nd sets of the year - and that says a hell of a lot.

Unique Dead with the whole horn section. In places sounds like Nigerian Juju pop from the same era (King Sunny Adé or Fela's big band). Very cool.

Sweaty funky and a little bit loose - just like the lady in the song.

Extremely beautiful version with some AUD problems. Sparkling melodicism out of the perfect collective mind. A forgotten diamond.

Impassioned version like few others, with both Jer and Keith firing on all cylinders. Terrible AUD probs keep this show unknown, but worth a listen.

Almost a Caution jam in minute 12.

It's also a chaotic scramble, to be sure, but a beautiful one at that.

Perfect performance and at once perfectly non-sequitur and perfectly appropriate for the massive and outer-cosmos free jazz in the TOO around it. Why is MAMU their single-most performed song? Maybe because it could fit anywhere in either set, and maybe because when they were flying us through the weirdest wormhole in the outer planes of music, they could crest a wave and just hit on that cowboy groove that somehow emerges out of nothing and brings it all back down to earth (before lifting off again).

Era E's tastes are always impeccable. The only thing to add is that this first tour with Keith led to some fascinating, inventive TOOs. They explore ideas, one after another, in the space of a few minutes, in ways that seem to continue the 'new kid's' education and tryout. Here they migrate through hard acid drenched power, country blues, outer-reaches weirdness, and a teeny-tiny Feeling Groovy jam in the 8th minute, all before the first chorus. Nov. 6, 7 (especially) and 12th all share in this experimentation. It shows how TOO could be their scary, dangerously close-to-insanity rocker, but so many other things as well. Considering what we used to trade, I don't find the sound unlistenable at all, but just don't expect a clean sbd.

Starts in a fervor and hard rock fever, then hits a unique jam around the seven-minute mark including some real nice Bobby and Keith telepathic gogo. Then more phases and jams, never quite losing the 6/8 theme, revisiting it and turning it around until it charges back. Not a scary TOO, almost Dark Star-ish in its invention. Should be much much higher on the list.