headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

11
Let It Grow
Oct. 25, 1973
Dane County Coliseum

Been listening to this every chance I can all week. The band's so tight, Bobby's singing passionate and precise, Jer's musicality soaring. Amazing.
6
Goin' Down The Road Feelin' Bad
Oct. 25, 1973
Dane County Coliseum

Exhuberent and triumphant. Closes out one hellofa 2nd set and kicks like a rocket.
15
Stella Blue
Oct. 25, 1973
Dane County Coliseum

Sweet and subtle: A beautiful come down after the muscular peak Eyes - but the set isn't done and they ramp it up again for more. A gem of a show.
3
Casey Jones
Oct. 23, 1973
Metropolitan Sports Center

Interrupted by bad fight in front of the stage. Phil goes bonkers, calls the security guard "Asshole". Weird scene/bad vibes.
8
Black Throated Wind
Oct. 23, 1973
Metropolitan Sports Center

Keith on organ just kills it. He's hot in the mix and the song has a totally different feel for it. Show overshadowed by Nov.-Dec. '73 but worth it.
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Comments

The Other One
Nov. 7, 1971
Harding Theatre

Beautiful and hard charging version with a mysteriously perfect segue into MAMU, but it's the outro that just slays me with its mysterious and light-as air melodic jam before the power finale. Strong stuff here, know your dose.
Playin' In The Band
April 24, 1972
Rheinhalle

Good call cgarces! I love this one.
Me and My Uncle
Nov. 7, 1971
Harding Theatre

There are passages in the Dark Star hinting that they knew exactly where they were going with this brilliant TOO>MAMU>TOO sandwich. Keith's honky tonk piano, like it does in the Mexicali Blues earlier is just perfect here, and combined with the heavy trippin-balls Other One vibe makes this a standout version.
Mexicali Blues
Nov. 6, 1971
Harding Theater

Acid carnival, complete with honky tonk piano, wild chaos, and a dubious narrative ringleader.
Comes A Time
Nov. 7, 1971
Harding Theatre

Beautiful version, but it isn't the only time they sang the 2nd "when words come out" verse. It's there in every version from the song's about a month earlier. I think it's really the key verse for to the meaning of the song, and makes me think about times when my anger took me over and left me regretting my actions. Without it, the "feel nothin' at all" lyrics take on a darker sense altogether (in my opinion). I wonder if they took it out when it seemed like the song was a bit long for a mid-set ballad. I just love these early versions in any case.
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