headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments

Big Railroad Blues
Nov. 7, 1971
Harding Theatre

The levels on my copy are all way up in the red, the sound over-saturated and distorting, and I looooooove it. Slamming along at full locomotive power and just killing it.
Sugaree
Nov. 7, 1971
Harding Theatre

Would nominate this as a good "entry-level" version for someone who likes old rock and roll, but isn't tuned into live Dead yet. Strong, solid, grooving pulse. Would also nominate this as a sweet-assed groove to dance nice and slow to with your lover. Just sayin'.
The Other One
Nov. 6, 1971
Harding Theater

Bobby introduces with "We're going to do a Hugo Winterhalter song now", which is pretty Prankster when you think about it.
Bertha
Nov. 6, 1971
Harding Theater

Jerry just can't stop here, and pulls them back from ending it not once, but twice, to great comic and great rock'n'roll effect. Loose as all hell, but he can play that guitar just like ringing a bell! Hell of a show opener.
El Paso
Oct. 31, 1971
Ohio Theatre

Jerry sounds like champagne bubbles throughout. It's like he's got fifteen extra fingers.
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