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Carrion_Crow

Stealth Head

+49707


Submissions

7
Greatest Story Ever Told
June 30, 1973
Universal Amphitheatre

Top notch version. Builds and builds and builds.
7
Jack Straw
June 30, 1973
Universal Amphitheatre

Unique version from an excellent show. Has a different groove to it from other JSs from the era. Several listens and it still stands out.
3
Tennessee Jed
June 30, 1973
Universal Amphitheatre

Tight and groovy - doesn't drag ass at all. Great show in all directions.
20
China Cat Sunflower -> I Know You Rider
Nov. 25, 1973
Feyline Field

Beautiful. One of those rare gems where the Rider seems altogether tighter than the China Cat. What more can a head want?
19
China Cat Sunflower -> I Know You Rider
June 26, 1973
Seattle Center Coliseum

Super mellow and smooth, understated grace - like the rest of the first set here - and one cool '73 beauty of a transition to Rider. Overlooked!

Comments

Morning Dew
Sept. 21, 1974
Palais Des Sports

This show gets maligned for its looseness and at times less-than-fully ensemble playing. But I have another take: it was the end of the tour, and besides the Winterland October run, quite possibly the last Grateful Dead show ever. They were tired, it seems clear, but they opened up the hatches and let everything out just to see what would happen. Result: this Dew is slower, more thoughtful, but no less intense. Blazing in places, then introspective, melancholy, and experimental. Give the show a generous listen. It's interesting because of its flaws, not only in spite of them.
Eyes Of The World
Sept. 21, 1974
Palais Des Sports

The heavy 'dark' quality here is quite bracing. Reminiscent of some of Miles Davis' music from the era: 'Bitches Brew' and Live-Evil, and Agharta/Pangaea. And I mean this in a most beautiful way. If some of you Heads don't know this particular seam of influence on our boys, then check it out.
Eyes Of The World
Sept. 21, 1974
Palais Des Sports

Damned double post. Sorry mates.
Fire On The Mountain
July 27, 1973
Grand Prix Racecourse

Listened again: it isn't only the two-chord FTM vamp jam that makes this a bone fide embryonic version: They're definitely working out melodic themes that would become the song we love from years later. Damn, I love the Dead.
Around and Around
May 25, 1977
The Mosque

Goddamn, but this whole 2nd set is just immortal. They knew they'd killed it: Just listen to half the band ending while the other half sez, "hell no, we ain't done yet" and then they break into double time. Almost seems like they'd have doubled it again, but maybe the theater manager was pointing at his watch or something. Fuck 'em, cause they weren't done yet and we get some Johnny B. Goode to send it off. Mmm mmm Goode indeed.