headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49687


Submissions

5
Brown Eyed Women
Sept. 12, 1973
William and Mary College Hall

Sweet and melodious. Jer sings it from the heart and the band is really tight.
27
Dark Star
Sept. 11, 1973
William and Mary College Hall

Moody, mellow, then into an explosive but still sparse jam (all before the verse). Colossal Phil then blows your mind and speakers. Excellent.
3
Big River
Sept. 11, 1973
William and Mary College Hall

Very uptempo and fun with some great solos. Good energy.
10
Let It Grow
Sept. 11, 1973
William and Mary College Hall

Surpirse not to see this here yet. Martin Fierro guests on sax and the short-lived horn section sounds great. A treat with historical importance.
12
Playin' In The Band
Sept. 11, 1973
William and Mary College Hall

Ending a first set that seems more '76 than '73 (slow grooves), this one finally gets off the leash and into a great jam.

Comments

Darkness Jam
Sept. 19, 1970
Fillmore East

One of the richest, densest jams in the heart of NFA. There's so much in this one, it may be up there as an emblematic epitome of '70 Dead.
Dark Star
Feb. 22, 1969
Dream Bowl

Endlessly inventive. Each listen seems deeper than the last, with interplay between everyone over constant variations of the melodic theme. Vaporous and etherial, though not a face-melter, just beautiful.
Dark Star
Nov. 2, 1969
Family Dog at the Great Highway

Something honest and straightforward about this one. Nice long exploration until the first chorus, then lookout y'all because it stretches way out and puts us into a deep and beautiful groove, just flirting around the chaos. Going through a big '69 phase now, and really digging the 'no bullshitness' of the period clearly in evidence here.
Playin' In The Band
Sept. 18, 1974
Parc des Expositions

Filled up with tasty exploratory jams, continuous musical churning and developments. Around 11:00 there's a cool rythmic jam that suggests the sound of '78 to me (maybe just imagined) and again around 18:00 there's some really innovative stuff. Even the long twisting path leading to the outro stretches to three minutes of hot jam. They had it all going on in Paris that night.
Crazy Fingers
June 9, 1976
Boston Music Hall

Sublime mysterious beauty. A river of dreamish memories. A sunrise. Edit: Listening again years later: It's sooooooooo good. "Cloud hands" and "strange fingers of light" always evoke those beautiful days when sunlight streams through clouds in columns of love, beams of beauty. R. Hunter and Jerry's genius combined so perfectly here.